{"id":1357,"date":"2022-03-17T11:46:57","date_gmt":"2022-03-17T18:46:57","guid":{"rendered":"http:\/\/www.sdmetal.org\/msm\/?p=1357"},"modified":"2022-03-17T15:20:20","modified_gmt":"2022-03-17T22:20:20","slug":"sabaton-the-war-to-end-all-wars-review","status":"publish","type":"post","link":"https:\/\/www.sdmetal.org\/msm\/sabaton-the-war-to-end-all-wars-review\/","title":{"rendered":"Sabaton: The War To End All Wars review"},"content":{"rendered":"\n

As most of you already know for better or worse, the Swedish metal machine Sabaton have been creating war-themed hymns since 1999 to the delight of fans and detractors alike. Sabaton is not everyone’s cup of tea but for many folks they are an entertaining and greatly talented lot. I fall somewhere in the middle as I have seen the band many times over the years and have a love-hate relationship with many of their albums. After the massive success of their previous offering: The Great War<\/a>, released in 2019, I looked forward to the follow up: The War To End All Wars. <\/p>\n\n\n\n

The Good:<\/h2>\n\n\n\n

The galloping salvo in Stormtrooper, a proper tune reminiscent of Ghost Division with great speed and a couple of impressive solos courtesy of Chris R\u00f6rland & Tommy Johansson. <\/p>\n\n\n\n

Tracks like The Unkillable Soldier, The Valley Of Death and Christmas Truce follow Sabatons great tradition of sing-along-anthems and help make the album a more memorable affair. <\/p>\n\n\n\n

The clean production on this album, guitars, bass and drums are all present equally and are greatly complemented by Joakim Broden’s vocals.<\/p>\n\n\n\n

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